By EDM Nations – May 4, 2021 2 0
Aside from the pulsing positive multi-colored lights that emanate from within its cube, the ‘Arthitecture’ of the fourth ‘Architecture’ is visibly more brutalist & current-day resonant than its predecessors. Not remixes, re-edits or re-imaginings exactly, they are versions that bring incredible tracks into line with the series’ sonic ethic, as Richard does everything from tweak to wholesale reconfigure them to fit.Timelessly picking up exactly where ‘EA3’ left off – whilst also giving us a highly desirable musical anchor to the last decade, the fourth epic ‘Electronic Architecture’ walks among us from May 14. Is the greatest mix-album of the year here already!? May just be… but there’s only one way to truly find out. Halfway into production, regular Solarstone collaborator Alucard announced the end of his retirement by dropping an album’s worth of material into ‘EA’s demo box – several of which found their way into its mix. Its musical remit though remains timelessly unchanged. The last twelve months have brought a step change in electronic music needs and with ‘Pure Trance’ receiving a well-earned mix-sabbatical last autumn, it’s allowed the cultural time, space and climate for something many had consigned to Solarstone legacy. Whilst never down to one factor, Pure Trance’s capturing of the scene’s zeitgeist, and the unchecked success that followed played no small part. When he found it – even in its most embryonic form, no effort was spared to cultivate it for ‘EA4’. (https://solarstone.complete.me/ea4)
Follow us on socials The new nonpareil of the kick-back-‘n-musically-trip encounter, its soundscape has few – if any – modern parallels.As ever the musical backbone of this new release is made up of creatives who’ve cut their teeth on previous Solarstone projects and new talent, freshly recruited to its ranks. Never seeing the electronica-extremes of the former, nor quite as floor-intense as the latter, their progressivism hits the perfect median between.Despite being offered as a physical item (how could something this beautiful not!), digitally ‘Electronic Architecture 4’ has been devised as a start-through-finish listening experience. Nominally a one-minute software demo from technologist Dreams Of Wires, Solarstone worked with just the briefest of melody ideas to bring Dreams his first fully realised production.Whilst on its comeback-track, ‘Electronic Architecture’ experienced more than its fair share of stars-aligning moments. Richard also stumbled across a twelve-year-old ‘lost-tape’ track from Vincent Lewis (who – fact-fans – went on to direct Solarstone’s ‘Electric Love’ video!). As well as welcoming an influx of new music through the front door, he scoured the Internet’s forum-highways & Bandcamp-byways in search of promise. Case in point, ‘Equilibrium’ – the album’s penultimate track. While ‘EAs’ 1 thru ‘3′ maintained a regular release pulse, with each year that followed 2014, the series’ absence has been felt evermore acutely. Like ‘island’ (last year’s out-of-nowhere Solarstone LP), its return though is down to something far more appreciable. In timely fashion the album also hosts new Solarstone production ‘Pale Blue Dot’, his & Orkidea’s sixth ‘Slowmotion’ and Kryder’s desk-hot remix of ‘island’s ‘When I Dream’. Key as ever to ‘Electronic Architecture’s constitution are Solarstone’s own Reconstructions – eleven of which feature over the duration. In regard to the former, new music resounds from the likes of Lostly, Basil O’Glue, Stoneface & Terminal, Super-Frog Saves Tokyo, Forerunners, Nick Silvestri and others. Tonally & thematically, ‘EA4’ owns the equidistant middleground between the ‘Northern Exposure’ and ‘Renaissance’ albums. To its new-talent-latter meanwhile, Solarstone has gone further than ever before in uncovering it. ‘We’re Descending’ – Lostly’s stunning latest – arrived within hours of Rich needing something to further a moodier tranche, whilst opening track ‘Lament’ by Super-Frog Saves Tokyo’s landed a day after the project commenced. It’s been seven years – and some long ones at that – since Solarstone last designed and constructed an ‘Electronic Architecture’. In essence a musical time capsule dating back to ‘EA’s most embryonic times, ‘Pulse Train’ became part of the album’s opening stages.